“Ashes, Organs, Blood And Crypts” By Autopsy Is An Audial Obliteration That Is Both Relentless and Artistic (Album Review) 

There are few bands in the death metal scene that carry the weight of legacy quite like Autopsy. Since their inception in 1987, the band has been revered for the ferocity of their sound, an audial obliteration that is both relentless and artistic in equal measure. With “Ashes, Organs, Blood And Crypts”, the group has delivered another masterclass in sheer brutality.

From the opening track, “Rabid Funeral”, it’s clear that Autopsy is on top of their game. The 5:01 runtime offers a journey of unhinged guitar work, unyielding percussion, and guttural vocal onslaughts that would make any fan of the genre salivate in anticipation of what’s to come.

“Throatsaw” is a shorter, intense burst of energy, distilling the essence of Autopsy into a mere 2:30. It’s a pummeling reminder that this band can condense their raw power into any time frame, ripping through your eardrums with the precision of a scalpel.

“No Mortal Left Alive” and “Well Of Entrails” both provide the quintessential Autopsy experience. Melding the brutal riffs with skull-crushing drumming  that encapsulate the dual nature of death metal: the visceral intensity and the mournful dirges.

The titular track, “Ashes, Organs, Blood And Crypts”, is a monstrous epic. It somehow feels both concise and expansive, exploring the thematic elements that make death metal such a uniquely captivating genre.

However, it’s tracks like “Bones To The Wolves” and “Marrow Fiend” that showcase the real evolution of the band. There’s a sense of maturity in the songwriting and execution, a finesse that only comes with years of mastering one’s craft.

The latter part of the album refuses to let up. “Lobotomizing Gods” and “Death Is The Answer” are absolute bangers, providing headbanging rhythms and memorable hooks.

“Coagulation” ends the album on a particularly high note, a final reminder of the band’s ability to combine musicality with raw aggression.

In an era where the definition of ‘heavy’ is constantly being redefined, Autopsy reminds us of its true essence with “Ashes, Organs, Blood And Crypts”. This is not just another death metal record; it’s a monument to a legacy, an ode to all things brutal, and a beacon for the future of the genre. Simply put, it’s ferocious; in a discography already brimming with classics. If this album doesn’t leave your neck sore from headbanging, nothing will.

Album Drops October 27th Via Peaceville Records

Leave a Reply

Your email address will not be published. Required fields are marked *

Stay informed

Be the first to receive the latest news from us and make the most of it.

Share article:

Related Articles

Aborted – Retrogore Review

Sometimes you just have to sit back and appreciate simplicity. The first lyric here is “Retrogore!” The first non-introductory track is “Retrogore.” The album itself is Retrogore. Hell, Aborted is retrogore. No other band is more deserving of the title. With a career spanning over 20 years, their songs remain

Album Review of ARCHDEVIL

Album Review: Haiduk – Archdevil Archdevil, the sixth studio album from Haiduk, is yet another brutal masterpiece added to an already legendary discography. From the moment you see the album cover, you are invited into a realm of pure darkness. Every single track captures the raw essence of black metal,

SIX FEET UNDER “Next to Die”

Next To Die, Six Feet Under reaches a fresh creative peak, marking their 15th studio outing since their 1995 debut, Haunted. The album’s twelve tracks are strategically split between two sonic pillars—Death and Groove—creating a balanced masterwork that satisfies the band’s artistic evolution while catering to every era of their

Revocation – New Gods, New Masters (Album Review)

There is something deeply unsettling about Revocation at this point in their evolution. Not because they’ve become reckless or chaotic; but because they sound too aware. New Gods, New Masters doesn’t rage blindly at the future. It stares at it, unblinking, fascinated and disgusted in equal measure. This is an

Leave a Reply

Your email address will not be published. Required fields are marked *

Got Band Submissions? Got News That Needs Publishing? Record labels & PR Looking For Interviews?