Totems of Stone” by TKTWA (To Keep The Wolves Away) (Single Review)

“Totems of Stone” by TKTWA (To Keep The Wolves Away) stands as a mighty track in the realm of metal; that the band uniquely describes as post/metal/sludge/black/progressive/whatever-the-fuck genre. TKTWA, deeply rooted in the haunting vastness of the American Southwestern desert, presents a piece that is as enigmatic as it is ferocious, intertwining a myriad of sub-genre influences into a seamless and intoxicating blend.

From the outset, “Totems of Stone” establishes itself not merely as a song, but as a journey – a ceremonial plunge into the depths of oblivion. The opening riffs, infused with the barren, eerie spirit of the desert, set the stage for an experience that is both desolate and richly layered. The guitar work here is nothing short of masterful, weaving post-metal’s atmospheric expansiveness with the gritty, raw energy of sludge and black metal.

The rhythm section of TKTWA deserves a special mention. The bass lines, often undulating like the heatwaves of their desert muse, provide a dense, almost tangible texture to the track. The drumming, simultaneously complex and visceral, acts as the heartbeat of this behemoth – driving the music forward with relentless power and intricate precision.

Vocally, “Totems of Stone” is Savage. The range of emotions conveyed is staggering, shifting seamlessly from guttural roars to hauntingly melodic passages. This vocal dynamism is not just impressive in its technicality, but in how it serves the song’s narrative – a tale of confronting and embracing the void, of finding transformation in desolation.

The production quality of the track deserves its own special mention. Every element, from the thunderous lows to the piercing highs, is captured with crystalline clarity, yet retains a raw, unpolished edge that is essential to the band’s aesthetic. The mix balances the dense layers of sound with a deftness that allows each component – whether it be a subtle ambient noise or a crushing riff – to shine without overshadowing the others.

In its structure, “Totems of Stone” defies conventional songwriting, an attribute that firmly places TKTWA in the vanguard of progressive metal. The song’s progression feels organic, almost narrative in nature, guiding the listener through a spectrum of sonic landscapes. There are moments of introspective calm, passages of soaring majesty, and segments of unbridled brutality, all coalescing into a cohesive whole.

“Totems of Stone” is not just a standout track by TKTWA it is a landmark in the broader landscape of metal music. It pays homage to its varied influences while carving out a unique niche that is distinctly its own. For those willing to embark on this aural odyssey, the rewards are profound – a testament to the transformative power of music and a beacon in the often derivative world of heavy metal.

Listen to the Track on SPOTIFY

Leave a Reply

Your email address will not be published. Required fields are marked *

Stay informed

Be the first to receive the latest news from us and make the most of it.

Share article:

Related Articles

Aborted – Retrogore Review

Sometimes you just have to sit back and appreciate simplicity. The first lyric here is “Retrogore!” The first non-introductory track is “Retrogore.” The album itself is Retrogore. Hell, Aborted is retrogore. No other band is more deserving of the title. With a career spanning over 20 years, their songs remain

Album Review of ARCHDEVIL

Album Review: Haiduk – Archdevil Archdevil, the sixth studio album from Haiduk, is yet another brutal masterpiece added to an already legendary discography. From the moment you see the album cover, you are invited into a realm of pure darkness. Every single track captures the raw essence of black metal,

SIX FEET UNDER “Next to Die”

Next To Die, Six Feet Under reaches a fresh creative peak, marking their 15th studio outing since their 1995 debut, Haunted. The album’s twelve tracks are strategically split between two sonic pillars—Death and Groove—creating a balanced masterwork that satisfies the band’s artistic evolution while catering to every era of their

Revocation – New Gods, New Masters (Album Review)

There is something deeply unsettling about Revocation at this point in their evolution. Not because they’ve become reckless or chaotic; but because they sound too aware. New Gods, New Masters doesn’t rage blindly at the future. It stares at it, unblinking, fascinated and disgusted in equal measure. This is an

Leave a Reply

Your email address will not be published. Required fields are marked *

Got Band Submissions? Got News That Needs Publishing? Record labels & PR Looking For Interviews?